thedeadparrot: (need for speed)
thedeadparrot ([personal profile] thedeadparrot) wrote2010-07-11 04:53 pm

I don't know how to make this post, but I am going to try to anyway

Sometimes, I think about the way the history of colonization is written onto us, onto our skin, onto our bones.

My dad still sometimes talks about his great-grandfather, my great-great grandfather, and how he lost a lot of his land due to opium addiction. My mom still talks about opium addiction as if it were a shared history, as if my great-great grandfather's story is not unique. And it isn't for her, for the people of Taiwan. I didn't recognize the Chinese name of opium when my dad told me this story, so she had to describe it to me, how the foreigners brought it with them, how you smoke it in long pipes, and how it made rich people very poor. She didn't talk about it the way I learned about the Opium Wars in high school, like it was something that happened to someone else so long ago we barely have to remember it.

In Taiwanese airports, they have signs posted everywhere about how drug trafficking is punishable by death.

So at the end of Empire of Ivory, we get a look at how dastardly the British government is for introducing a virus to the French dragon population, and part of me can't give a shit because there was this whole theme in Throne of Jade about how trade is good yay! and how by the end of the book, Laurence is both the newest son of the Emperor and how England has secured a trade deal. Both of these things are presented as unambiguously good, though maybe that's meant to be undercut by the reveal in Empire of Ivory. Maybe even later, we will see the effect of British trade on China. I don't know.

I do know what happened in our universe when the British traded with China, with Taiwan. I can still see the scars it left behind, over a century and a half later.

Sometimes, I wonder if those scars will ever fade.

Sometimes, I wonder if we even want them to.
lanjelin: Fai from Tsubasa reservoir cronicle (Default)

[personal profile] lanjelin 2010-07-13 10:31 am (UTC)(link)
For me it's easier when it's obvious that certain things are overlooked because of Laurence's bias, actually (he's made me so angry at times, but in those cases I get the feeling that I should be angry with him, that that's what the text was going for). It's when it seems as if the writer herself hasn't realised the problem that things become... worrisome. On the other hand, I might totally be misunderstanding things; it's not as if I know what the author thinks, heh.

But I don't know, I just found the Chinese rather stereotypical. I mean, I'm hardly an expert on China of that era (or any era for that matter), but they all seemed so inhumanly ruled by their traditions.
lanjelin: Fai from Tsubasa reservoir cronicle (Default)

[personal profile] lanjelin 2010-07-15 05:45 pm (UTC)(link)
Yeah, it wasn't how the traditions were handled that annoyed me, but how the Chinese seemed... controlled? Hm, I'm not sure how to express myself here, but it was sort of the impression that old traditions and innovative thinking were mutually exclusive? I should reread, though, I'm really not confident that I didn't interpret that completely wrong. ^^

My big beef is that by the end, you could separate out the 'good' Chinese characters from the 'bad' Chinese characters based on how much they liked/agreed with Laurence. Which I found incredibly annoying.

Definitely agree with that.